Using the Oram MWS, or Microphone Work Station, at CCM Studios adds another level of control in tracking. 
This hardware comprises two channels of top-end Oram mic preamplifiers, combined with a four-band, two filter equalizer, creating an incredible input channel for tailoring any recording source perfectly. With +48V phantom power and a phase reversal switch added, the MWS is flexible enough to act as a standalone stereo input for any recording or reinforcement job. By sweeping and adjusting the EQs and crossovers, I can sweeten the right spots and carve out unwanted frequencies, ending up with a nicer track than if the EQ was not enabled. It’s just enough to let the track pop without a single post-effect and therefore worth the extra effort when honing in on an artist’s or instrument’s strengths and weaknesses. Just remember to not get carried away with over-saucing your recorded signal.
